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・ Epitalara reversa
・ Epitalio
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・ Epitamyra albomaculalis
・ Epitamyra birectalis
・ Epitamyra minusculalis
・ Epitaph
・ Epitaph (Charles Mingus album)
・ Epitaph (disambiguation)
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・ Epitaph (Front Line Assembly album)
・ Epitaph (King Crimson album)
・ Epitaph (Necrophagist album)
・ Epitaph (song)
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Epitaph for George Dillon
・ Epitaph for James Smith
・ Epitaph Formation
・ Epitaph of Gllavenica
・ Epitaph on the tomb of Basil II
・ Epitaph One
・ Epitaph Records
・ Epitaph Records discography
・ Epitaph to a Dog
・ Epitaph World Tour
・ Epitaphios
・ Epitaphios (liturgical)
・ Epitaphium
・ Epitaphium (Stravinsky)
・ Epitaphs for the Living


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Epitaph for George Dillon : ウィキペディア英語版
Epitaph for George Dillon


''Epitaph for George Dillon'' is an early John Osborne play, one of two he wrote in collaboration with Anthony Creighton (the other is ''Personal Enemy''). It was written before ''Look Back in Anger'', the play which made Osborne’s career, but opened a year after in Oxford in 1957 and moved to London’s Royal Court theatre, where ''Look Back in Anger'' had debuted on 8 May 1956. It moved to New York shortly afterwards and garnered three Tony Award nominations.
==Themes==
The play tells the story of Kate Elliot’s unhappy suburban South London family and the domestic havoc wrought when she decides to adopt George Dillon as a surrogate son.
It tackles typical Osborne themes, including religion (and Osborne’s hatred thereof), vegetarianism, the casual deception of everyday life and scorn of the theatre. In common with Jimmy Porter in ''Look Back in Anger'', George Dillon is an intelligent man unable find his place in the world.

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